Seeking the silver lining in 2025
with the single-mindedness of Arthur’s knights
on the quest for the grail,
I locate aluminum in the kitchen drawer.
OK!
Like moms have done for centuries,
I’ll make do.
I tear a sheet of that silver lining
and hold for dear life. I squeeze the foil
so hard, it crimps in my fists.
Did it occur to Arthur’s knights,
I wonder as I cling, to ask their wives?
“Hey honey, have you seen the … ?”
A dozen men who couldn’t find keys
or ketchup clanking around the kingdom
searching for a cup. Little wonder
the company failed. No one to ask them when they’d last seen
the grail, to suggest they check their pockets
or the kitchen drawer.
That’s where hope lives, Arthur: In the darkness,
waiting. It looks mundane or worthless, but it’s tough.
You can use it to make swords.
All posts by ester
Aunt Acid: Advice for Being Second Best
A reader of The Toast (RIP) reached out earlier this month to request that I try to track down and share with her an old “Aunt Acid” column (RIP) that she found meaningful. After some searching, I was able to locate the piece, which went live in December 2014.
Since it’s not available to read anywhere on the Internet anymore, and since someone out there found it useful enough to request over 10 years after its original publication, I’ve decided to reprint it here.
Advice For Being Deemed Second Best
Q: Someone I was dating/sleeping with chose someone else over me — someone they evidently had very recently met. How do I not feel inadequate? Knowing that someone else was deemed better than me, how do I not feel not good enough?
A: Feelings are like toddlers. You cannot reason with them. You can only acknowledge them — give them time, validation, attention — and then offer them a distraction.
That means you let yourself feel “inadequate” for a while, or “not good enough,” or whatever you need to feel. Don’t try to fight emotions with logic. Don’t yell at yourself and say, “Stop sniveling! Get dressed! They’re not worth it!” Have you ever told a sobbing toddler, “Don’t be sad”? You may as well scold an avalanche for falling downhill. Sometimes the rocks need to fall and the only thing to do is get out of the way.
So let your toddler self have free rein for a bit. Give it some ice cream, some rom coms, some cuddling, whatever it needs. Then, when you think it might be ready for distraction, consult your inner 70-year-old.
Your inner 70-year-old is fierce. She is epic. She is a cookie-baking, sharp-shooting, crossword-puzzle-in-ink doing motherfucker who can still leave a trail of smoke on the dance floor. She is part Clara from Lonesome Dove, part Twisty Faster, and part Anna Deveare Smith, and when you approach her about this issue, she will say, “Wait, I’m sorry, honey, who are you talking about?” Because she will have completely forgotten the lover in question, having climbed so many mountains, and ridden in so many rodeos, and fucked so many underwear models who were sensitive and giving in bed (or rough, as required).
That said, she’s not going to yell at you either. She remember what it was like to be vulnerable, to have one’s self esteem tethered to so many elements beyond one’s control: the number on the scale in the morning, your boss’s feedback on a work project, the whims of one callow young sex partner.
She will gently point out, though, that unless you untether your sense of self-worth from everything external to you — the scale, the boss, the lover — you will end up drawn and quartered, and you will have done it to yourself. Conveniently, that is the tortured state in which our society often prefers its women; but we don’t have to help it along, now do we?
Romantic / sexual compatibility is at once highly personal — what could be more personal? — and not personal at all. Remember in High Fidelity when Rob is recounting the top 5 things he misses about Laura? It’s not that she was a radiant Solange-type being who could make him come simply by flicking her eyes down to the spot below his belt. No, he says, “I miss her smell, and the way she tastes. It’s a mystery of human chemistry and I don’t understand it, some people, as far as their senses are concerned, just feel like home.”
The person you were hooking up with was drawn to someone else. Their pheromones were friendly. That’s all. Capitalism wants you to internalize your inferiority and, in a manic attempt to live up to Helen of Troy, buy ten beauty products / weight-loss plans / over-priced accessories.
But, your inner 70-year-old will tell you, in the end the only thing that will help is shrugging and moving on. There are mountains to climb and underwear models to find on the other side whose chemicals will work better with your chemicals. Meanwhile the climbing of the mountains itself will remind you that you can climb mountains, that your strength and resilience and general awesomeness as a human being exists independent of the opinion of any third party.
Love,
Aunt Acid
My year in reading, 2017
Thanks to GoodReads, I’m able to check in at year’s end and discover I read — or, to be more accurate about it, tried to read — over 76 books in 2017. Some I rolled my eyes at and abandoned (THE NAME OF THE ROSE, JANE STEELE). Others I responded to but put down to pick up again when I’m more able to give them the focus they deserve (GEEK LOVE, THE IDIOT).
This was a big genre year for me: I enjoyed some popcorn-y novels way more than I expected to, like FANGIRL, CARRY ON and BIG LITTLE LIES, which were skillfully plotted and propulsive, while I tired quickly of some much-hyped fancy stuff like THE RESURRECTION OF JOAN ASHBY. Not sure where THE NEST falls in that rubric but it was the book for which I invented a new GoodReads category called, “I refuse to feel sorry for these people.”
I also thoroughly appreciated some highbrow material, including Galchen’s LITTLE LABORS, Levy’s searing memoir THE RULES DO NOT APPLY, Atwood’s tart, feminist THE PENELOPIAD and Bill Bryson’s playful, informative history of the English language THE MOTHER TONGUE. For the most part, though, it was not my most impressively intellectual year, reading-wise. But fuck it: I needed solace, and I had fun.
WHAT HOLDS MY ATTENTION? IT’S A MYSTERY
In a state of foggy winter despair, I started reading books in which smart, competent, moral people restore some semblance of order and justice to the universe. First I turned to my old friend Dorothy Sayers for comfort. Then I branched out, both to some contemporary literary options (MAGPIE MURDERS, UNDER THE HARROW) and also to some older ones I had never tried (Agatha Christie). I ended up reading every Miss Marple novel in order, which was an endeavor I highly recommend: Those stories hold up.
Then I decided to try, once more, the work of the much praised Canadian writer Louise Penny, whose Three Pines series I had dipped into briefly before but found shallow and unsatisfying. This time, with a little prodding, I got fully immersed in the pool, starting swimming and didn’t want to get out. Now that I’m done, I’m bobbing here feeling bereft, kind of like I did after I read the last installment of OUTLANDER and GAME OF THRONES.
Also, anyone who likes crime/detective fiction should consider the 80s classic about Soviet corruption and American collusion GORKY PARK, which I found much more impressive, and lingered with me much longer, than the more recent gritty NYC police thriller THE FORCE.
YES, I READ SOME LITERARY FICTION
Highlights include LITTLE FIRES EVERYWHERE (exciting, insightful, as good as you’ve heard), MANHATTAN BEACH (immersive historical fiction with a knock-you-out ending) and THE MOTHERS (devastating, though the end doesn’t quite live up to the greatness of what comes before), all of which I realize now are about parents and kids.
ALSO SOME LITERARY NON-FICTION
HUNGER sustained me.
WEDDING TOASTS I’LL NEVER GIVE was like doing shots with the smartest woman at the party who stops making you laugh or reflect only to make you cry.
And MAN OF THE YEAR, Lou Cove’s stranger-than-fiction coming-of-age memoir, is like the hole-in-the-wall lunch spot you happen into and then urge everyone you know to try.
I’m also still working my leisurely way through the dense (in a good way!) and thought-provoking MISBEHAVING by Nobel laureate economist Richard Thaler.
BIGGEST DISAPPOINTMENTS
Turns out I can’t stand either Jeeves or Auntie Mame.
BEST SURPRISES
I’d never tried Megan Abbott but after the thrill of YOU WILL KNOW ME, I’ll be back for more. Also, I wasn’t sure any companion volume could live up to the glory of HIS DARK MATERIALS, which I’d choose over LOTR for Best British Fantasy Series that Isn’t ‘Harry Potter’ any day of the week. But Pullman managed to turn THE BOOK OF DUST into an epic journey in its own right and a great lead into Lyra’s adventures. I can’t wait to read the rest of the trilogy.
Two TPM Pieces and Two Reactions
Twice recently people have tried to post comments on my Bio page. They don’t really make sense there, though; what Bio page comes with reader comments? I’ve decided to post them here where hopefully they can live more in context.
This first one is from “meg” in response to my piece for Talking Points Memo, “The Abortion Tipping Point.”
I just want to say how much I appreciated your article, “the Abortion Tipping Point.” I don’t think I’ve ever heard anyone talk about the fear of pregnancy in a way I could relate to before now. I also appreciated that you made a point of saying that maturity “may or may not include children”. So often when articles discuss ambivalence or rejection of motherhood, the message is that eventually every woman will realize what they’re missing. It’s very refreshing to hear the media acknowledge that some women will never come around and that it’s okay. So thank you.
The second is from Chip Zien (!), who originated the role of the Baker for the Broadway production of “Into the Woods,” and it came in response to my piece for Talking Points Memo about that show, the Disney reboot, and the AIDS crisis.
Dear Ms. Bloom,
I’m always fascinated by these thought pieces that seek to understand the “true meaning” of INTO THE WOODS. I’m also frequently annoyed by those who reduce the show to one enticingly narrow agenda. Particularly, those writers that never mention James Lapine – who actually wrote the show and, yes, in close collaboration with Steven, decided what the music might be about and where it would be effective. You refer to “some institutions (?)” and “some critics” who have written what they thought was the show’s meaning and their dissatisfaction with Act 2. Personally, I have always thought the show is about lots of big things, but the show is also certainly open to various interpretations because, just like life, complexity is oddly accurate. I have also always loved Act 2. I loved it in our original production and I loved in the movie.Regards,
Chip Zien
My Year in Reading 2014!
My top three reads of 2014 were, coincidentally, books published in 2014; I did a lot of contemporary reading, perhaps more than usual, this year because I got to write lots of reviews. I really appreciated that opportunity, because it led me to books like Life Drawing, A Highly Unlikely Scenario, and The Secret History of Wonder Woman that I might not have encountered otherwise.
TOTAL BOOKS READ: 47, plus at least four begun and, through no fault of their own, put aside for later; and lots of rereading of old favorites for comfort
BY ROXANE GAY: 2, both impressively good
BY DIANA GABALDON: 8, for an estimated total of 50,000 pages. These basically took over my life.
GRAPHIC NOVELS: 3, all remarkable
GENRE NOVELS: Kind of a lot
THEMES: Sexual violence, feminism, high-brow sequels, the Midwest
An Untamed State (Gay) – A
Can’t We Talk About Something More Pleasant? (Chast) – A
Lila (Robinson) – A
A Bintel Brief (Finck) – A-
A Breath of Snow and Ashes (Gabaldon) – A-
Americanah (Adichie) – A-
Bad Feminist (Gay) – A-
Lena Finkle’s Magic Barrel (Ulinich) – A-
Life Drawing (Black) – A-
The Flamethrowers (Kushner) – A-
The Magician’s Land (Grossman) – A-
Voyager (Gabaldon) – A-
Written In My Own Heart’s Blood (Gabaldon) – A-
Demon Camp (Percy) — B+/A-
The Goldfinch (Tartt) – B+/A-
The Secret History of Wonder Woman (Lepore) – B+/A-
This is the Story of a Happy Marriage (Patchett) – B+/A-
We Were All Completely Beside Ourselves (Fowler) – B+/A-
A Highly Unlikely Scenario (Cantor) – B+
An Unnecessary Woman (Alameddine) – B+
Claire DeWitt and the Bohemian Highway (Gran) – B+
Not That Kind of Girl (Dunham) – B+
Small Victories (Lamott) – B+
Some Luck (Smiley) – B+
The Fault in our Stars (Green) – B+
Half Bad (Green) – B/B+
I Am Half-Sick of Shadows (Bradley) – B/B+
Lay It On My Heart (Pneuman) – B/B+
The Fiery Cross (Gabaldon) – B/B+
Outlander (Gabaldon) – B/B+
The Frangipani Hotel (Kupersmith) – B/B+
The Quick (Owen) – B/B+
A Dragonfly in Amber (Gabaldon) – B
A Dual Inheritance (Hershon) – B
Bone Clocks (Mitchell) – B
California (Lepucki) – B
Can’t and Won’t (Davis) – B
Drums of Autumn (Gabaldon) – B
How Should a Person Be? (Heti) – B
The Price of Salt (Highsmith) – B
We Are Called to Rise (McBride) – B
An Echo In The Bone (Gabaldon) – B/B-
Frog Music (Donoghue) – C+
Good In Bed (Weiner) – C+
Too Hard to Be Objective
Cutting Teeth (Fierro) – N/A
Tender (Rikhter) – N/A
When I First Held You (Gresko) – N/A
Lovely But Unfinished — Will Return
A Fine Old Conflict (Mitford)
Cold Mountain (Frazier)
One Summer (Bryson)
The Paying Guests (Waters)
First Look at THE SEX LIVES OF OTHER PEOPLE and More!
(I sent a TinyLetter! If you want to subscribe, you can do so here.)
Hello friends!
I hope you are enjoying this festive holiday season the way God intended, by drinking too much and watching terrible television:
The goyim had “Peter Pan Live!”; now the Jews get their turn at a televised hot mess with the two-part Lifetime Original miniseries “The Red Tent,” based on the Anita Diamant’s book of the same title, and starring Brody’s wife from “Homeland” as Rachel and Jorah Mormont from “Game of Thrones” as patriarch Jacob. Chaverim, it does not disappoint. Every element of this production is best taken with a grain—or even a pillar—of salt.
Besides writing snarky reviews of Lifetime movies, here is a glimpse at what I’ve been up to lately:
Your new favorite savagely funny and insightful author is Ester Bloom (@shorterstory). Read an excerpt here. http://t.co/2ALcAsPubR
— Joyland Magazine (@joylandfiction) December 9, 2014
- Joyland Magazine has published the beginning of my novel THE SEX LIVES OF OTHER PEOPLE on its website. The excerpt is titled “You Said ‘Always'” and can be read in its entirety here. Meanwhile I have collapsed from in excitement in this other corner over here.
- Don’t you think supermarkets should set up “Serial” aisles so that we can have a place to gather and exchange theories about the podcast phenomenon? Until that happens, there’s always my weekly recaps for New York Magazine’s Vulture blog.
- Speaking of “Serial” — and “Transparent,” “Broad City,” “Obvious Child” and many other high quality pop cultural properties — I declared 2014 the year of Jewish women at Flavorwire.
- The most recent episode of NPR’s game show “Ask Me Another” featured a game that I wrote for them. Someday perhaps I will ascend to the level of Puzzle Guru and be able to break boards with my hands.
- If life is giving you indigestion, seek comfort from Aunt Acid, my advice column at The Toast. A-U-N-T A-C-I-D spells “relief.”
- Present hunting? Explore my many reviews and 2014 Fiction Gift Guide for Barnes and Noble.
Encompassing late-career epics and ambitious debuts, they consider the after-effects of everything from apocalypse to adultery, and reckon with religion and war using dreams, magic, science fiction, and occasionally nothing but the power of prose. Sometimes, in the grand tradition of The Wizard of Oz, they take us no further than the Midwest, America’s own backyard, to teach us about ourselves: our desires, our secrets, and our fascination with what makes an enduring story.
I’m still an editor at the Billfold, where you can find me on a daily basis asking the tough questions like “How Much Do You Spend on Tattoos” and thinking deep thoughts about boots. We’re having our live event at Housing Works in NYC at the end of January! More specific info TK.
Other delightful things:
- Happy Release Day, Tara Leigh!
- My It’s The Real cousins hanging out with Annie
- Last night Lara bit me on the leg and then spent five minutes crying while I hugged her and told her it would be okay. #parenthood
- You all! You’re running marathons and selling books and getting pregnant on purpose. Please keep sharing your good news. The regular news is so appalling we need all the local cheer we can get.
For more, follow me on Twitter @shorterstory. Many thanks for paying attention! Wherever you are, may it only rain when you’re sleeping and may your rent never go up.
SLEEP NO MORE and My One-Night-Hand-Stand
Last night a strange man held my hand. That’s right: I, Ester Bloom, married lady, mother of a young child, partnered with the same dude since I was 18 years old, committed hand-adultery. I had an anonymous one-night-hand-stand.
Mr. Ben and I were at SLEEP NO MORE, the immersive theater experience where you wander around a huge, five-floor, dimly lit but extravagantly designed set that was once a hotel, forbidden to speak or to remove your opaque white mask. Around you, actors and dancers silently recreate scenes from and inspired by “Macbeth.”
To reach peak surreality, as an audience member, you are encouraged to explore the dreamscape solo. Mr. Ben, who takes this shit very seriously, waved me goodbye early on and dashed off to try to get as many one-on-ones as possible. (That’s when certain cast members take you “off-stage,” into a small enclosed space, for a special bonus dose of weirdness.)
So there I was, be-masked, silent, and alone, watching the banquet scene in the basement, when another audience member — a well-dressed white dude — took my hand. TOOK IT, LIKE IT WAS HIS. Like he was Christopher Columbus and my hand was America.
I cycled through several immediate thoughts:
+ Oh, how embarrassing for him! He must think I’m someone else.
+ Is he a member of the cast who’s going undercover, The Prince and the Pauper-style, by wearing the mask of an audience member?
+ His hand-holding sure is confident! He probably works in derivatives.
+ If I can’t speak, how can I say “no”?
+ Is this like improv, where I’m not supposed to say “no,” at least unless he does something super creepy?
While I was wrestling with all that, Christopher Columbus assertively led me out of the ballroom and to another scene, and then another. After a few minutes it became impossible to shake him off, not just because he was holding my hand so tightly but because perhaps I had missed my window of opportunity. Soon we would be joined together for life! What would I say to Mr. Ben and Babygirl? “Sorry, Christopher Columbus grabbed me. Gotta go. See you maybe in twenty years when he lets go!”
His hand was very warm, yet dry. I didn’t hold his hand back, per se, but I did allow my hand to be held. In almost fourteen years, this is as close as I’ve come to sexual contact with a person besides the father of my child.
Finally, Christopher Columbus led me to the bar on the second floor, which is the oasis in the SLEEP NO MORE desert: the place where you’re allowed to eat and drink and catch your breath and talk.
“Hello,” I said, because I’m exceedingly clever and make my living using words.
“Can I buy you a drink?” he said.
“No thanks?” I said.
He shrugged and smiled and disappeared. That was the last I saw of Christopher Columbus. I put my mask on and went back to SLEEP NO MORE.
“For saints have hands that pilgrims’ hands do touch,
And palm to palm is holy palmers’ kiss.” —Romeo & Juliet
Writing Life Update #2, 7/31/14
Here is a quick round-up of exciting events in the writing life of Ester Bloom:
- Last night I finished a series of four readings in four months. Thank you so much to everyone who came out! For one, in honor of Father’s Day, I read my essay about love, language, and whether we can ever really know our parents, “Papa-loshen.” For the others, I read the beginning, middle, and end of my award-winning (!) essay about Year 1 in New York City, “One Way to Shut Her Up.”
- The New York Times feature Op-Talk is a curated selection of thought-provoking reads from the web. It has featured a piece I wrote for the Nation, my work on The Billfold, and most recently my advice column at the Toast, Aunt Acid. I wouldn’t say the Gray Lady has embraced me exactly, but she is allowing me to approach near enough these days to touch the hem of her garment.
- Speaking of Aunt Acid, her second column is now up! This one’s about sisters. I may not know anything about having a sister but luckily Aunt Acid knows all. Got a bellyache? Email advice@the-toast.net
- For Longreads, I recommend a couple of heartbreaking, fascinating New Yorker essays that are available to read for free for a limited time. Rachel Aviv, call me! Let’s get cannoli and watch something fun on Netflix.
- Lastly, in the mood for some fiction? An excerpt from my novel Applebaum, Agent of God, is up at Zeek. It’s called “Angels Out of America” and includes a co-starring role for the Christmas Tree at Rockefeller Center.
More? You can find me at Barnes & Noble, where I have been reviewing some great literary debuts by female writers, or the Billfold, where I write at least three posts a day and recently summed up the costs and benefits of taking a year to DWYL (Do What You Love). The piece has been turned into an audio file, so that you can listen to it on the go, by the folks at Umano.me.
Year In Reading, 2013
40 43 books read or partially read, not counting the re-reading of comfort food books (Hunger Games, Harry Potter, Dorothy Sayers mysteries, and Pride and Prejudice) but totally counting War & Peace, because I read the shit out of that, except the epilogue, which I skimmed the shit out of, because UGH TOLSTOY I GET IT NAPOLEON HISTORY EUROPE. Other than the epilogue, though, it really was pretty good! That was a pleasant surprise.
Here is the full list, roughly in order:
The Orphan Master’s Son (Johnson) – A
Life After Life (Atkinson) – A
Finishing the Hat (Sondheim) – A
Lonesome Dove (McMurtry) – A-
War and Peace (Tolstoy) – A-
Tenth of December (Saunders) – A-
A Tale for the Time Being (Ozeki) – A-
On Writing (King) – A-
Just Kids (Smith) – B+/A-
[all five of] The Patrick Melrose Novels (St. Aubyn) – B+/A-
Dear Life (Munro) – B+
The Love Affairs of Nathaniel P. (Waldman) – B+
Speedboat (Adler) – B+
Mr. Penumbra’s 24-Hour Bookstore (Sloan) – B+
Crazy Salad and Scribble Scribble (Ephron) – B+
Half the Kingdom (Segal) – B+
Where’d You Go, Bernadette? (Semple) – B+
The Long Goodbye (Chandler) – B+
Foreign Affairs (Lurie) – B/B+
The Golem and the Jinni (Wecker) – B
Parrot and Olivier in America (Carey) – B
Your Baby and Child (Leach) – B
The Song of Achilles (Miller) – B
The Middlesteins (Attenberg) – B
The Burgess Boys (Strout) – B
Miss Silver Comes to Stay (Wentworth) – B
Double Indemnity (Cain) – B
The Interestings (Wolitzer) – B/B-
The Private Patient (James) – B-
Angry Conversations with God (Isaacs) – B-
Thrones, Dominations (Patton Walsh) – C
PUT ASIDE FOR LATER AND NOT BECAUSE OF QUALITY
When I Was a Child, I Read Books (Robinson) — UF
The Brothers Karamazov (Dostoyevsky) — UF
PUT ASIDE, KINDA BECAUSE OF QUALITY, OR MAYBE I JUST WASN’T IN THE RIGHT MOOD
The Impossible Lives of Greta Wells (Greer)
Love, In Theory (Levy)
Telegraph Avenue (Chabon)
Bringing up Bebe (Druckerman) <– If Carrie from SATC had not just gone to France but stayed there, had a baby, and written an inane memoir
UNRATED BUT EXCITING
Flashes of War (Schultz) — by a friend! Can’t rate it objectively but can kvell.
Without Risk, Can There Be Reward?
Spain in August, as perhaps you’ve heard, is hot. The house we’re borrowing has no pool, no A/C, no fans, even. If you leave anything outside the fridge, it is, in mere moments, claimed by flies, colonized by ants — or it collapses in on itself, like a black hole.
The house’s primary occupants only ever come here during the winter, and they warned us. “August?” they said politely, when we unfurled our plans. So excited were we to get a chance to come to Spain that we didn’t think too clearly or ask too many probing questions, like “How far is the beach?” or “What do you do for Internet?” It was a house! In Spain! How important could such quibbles be? And, of course, we’re grateful, stupidly grateful to be here. Don’t mistake me. This expression you see on my face, between the mosquito bites? That’s gratitude. It’s just: Oh man, those bites. We all have so many red dots everywhere that we look like ongoing games of Connect Four.
Last night we played the house copy of the original “Risk!” which hails from before the Kennedy assassination. The game has since divested itself of the exclamation point, perhaps in acknowledgement of our grimmer, postmodern times. In essentials, it remains the same. As Wikipedia puts it:
“Setup time: 5–15 minutes
Playing time: 1 to 8 hours”
It took us much longer since neither of us knew the rules — Mr. Ben had never played before, and I only vaguely recalled the endless furious battles for world domination that once took over my childhood. In fact, I think we’re still playing, even though we’ve long since packed away the board, complimented each other on a good game, and declared it a draw. In marriage, there is no draw; there is only victory assured and victory delayed, and each of us continues plotting that devastating sneak attack to secure Ukraine.
Speaking of Mr. Ben, my life’s companion, my heart’s desire, and my co-lugger of suitcases through five different airports, he has discovered in himself an ability to drive stick. Thanks to his intrepidity, we’ve also made it to a small public pool not too far away, and to the beach, where we have submerged our miserable bodies and found some relief.
We’ve also wandered around the distressingly touristy, overpriced Costa Blanca town of Denia,waiting to be inspired. Instead, we have mostly encountered mediocre food at alarming prices. In rough moments, I think Denia has all the charm, grace, & beauty of Tel Aviv, only without the character or the quality meals; then I repent and admit that some of the streets wind pleasantly through plazas, and there is, after all, a castle. Anyway, we’ve decided to take a break from our vacation and run away to the more gracious inland city of Cuenca, capital of La Mancha, for a few days. Next week, before we fly out via Madrid, we will probably spend some time in Toledo, too.
Basically, what I’m saying is, we are snobs, and also I am spoiled from having so recently, and at long last, been in England. History! Literature! Architecture! Quaintness and cuteness and politeness, oh my. If only I could package up some of Spain’s excess sunshine and bring it to Gloucestershire, I would lack for nothing.
As my reading list reflects, I have only left the UK physically. Since coming to Spain, thanks partly to the excellent library of my hosts, I’ve been on a mostly anglophile tear, making my way through:
* Foreign Affairs, the largely forgotten Pulitzer Prize-winning novel by Alison Lurie
* At Last, the final Patrick Melrose novel, by Edward St. Aubyn
* Song of Achilles, by Madeline Miller
* The Private Patient, by P.D. James — not her best
* One Man’s Meat, by E.B. White — American, but with a very proper British appreciation for dry humor, the past, and the foibles of his fellow man. And to give you a sense of how blurbs have evolved since the 30’s, when White first wrote this collection of essays, this edition quotes the Yale Review as proclaiming it “Good writing.”
* The second half of Gaudy Night, by Dorothy Sayers — for the 52nd time, because it is here, it is her best (well, one of them), and I cannot help myself.
To Cuenca, I will probably bring Parrot and Oliver in America, and, of course, the game of Risk!