Twice recently people have tried to post comments on my Bio page. They don’t really make sense there, though; what Bio page comes with reader comments? I’ve decided to post them here where hopefully they can live more in context.
This first one is from “meg” in response to my piece for Talking Points Memo, “The Abortion Tipping Point.”
I just want to say how much I appreciated your article, “the Abortion Tipping Point.” I don’t think I’ve ever heard anyone talk about the fear of pregnancy in a way I could relate to before now. I also appreciated that you made a point of saying that maturity “may or may not include children”. So often when articles discuss ambivalence or rejection of motherhood, the message is that eventually every woman will realize what they’re missing. It’s very refreshing to hear the media acknowledge that some women will never come around and that it’s okay. So thank you.
The second is from Chip Zien (!), who originated the role of the Baker for the Broadway production of “Into the Woods,” and it came in response to my piece for Talking Points Memo about that show, the Disney reboot, and the AIDS crisis.
Dear Ms. Bloom,
I’m always fascinated by these thought pieces that seek to understand the “true meaning” of INTO THE WOODS. I’m also frequently annoyed by those who reduce the show to one enticingly narrow agenda. Particularly, those writers that never mention James Lapine – who actually wrote the show and, yes, in close collaboration with Steven, decided what the music might be about and where it would be effective. You refer to “some institutions (?)” and “some critics” who have written what they thought was the show’s meaning and their dissatisfaction with Act 2. Personally, I have always thought the show is about lots of big things, but the show is also certainly open to various interpretations because, just like life, complexity is oddly accurate. I have also always loved Act 2. I loved it in our original production and I loved in the movie.