Category Archives: rage

the non-spiritual side

Courtesy of Slate, our favoritest former president, Richard Milhouse Nixon, on the chosen people, on July 3, 1971:

Nixon: Now, point: [Fred] Malek is not Jewish.

Haldeman: No.

Nixon: All right, I want a look at any sensitive areas around where Jews are involved, Bob. See, the Jews are all through the government, and we have got to get in those areas. We’ve got to get a man in charge who is not Jewish to control the Jewish … do you understand?

Haldeman: I sure do.

Nixon: The government is full of Jews. Second, most Jews are disloyal. You know what I mean? You have a [White House Counsel Leonard] Garment and a [National Security Adviser Henry] Kissinger and, frankly, a [White House speechwriter William] Safire, and, by God, they’re exceptions. But Bob, generally speaking, you can’t trust the bastards. They turn on you. Am I wrong or right?

Haldeman: Their whole orientation is against you. In this administration, anyway. And they are smart. They have the ability to do what they want to do—which—is to hurt us.

And then on July 24:

Nixon: One other thing I want to know. Colson made an interesting study of the BLS crew. He found out of the 21—you remember he said last time—16 were Democrats. No, he told me in the car, 16 were registered Democrats, one was a registered Republican [inaudible] well, there may have been 23. And four were Declined to States. Now that doesn’t surprise me in BLS. The point that he did not get into that I want to know, Bob, how many were Jews? Out of the 23 in the BLS, would you get me that?

Haldeman: [White House deputy assistant] Alex [Butterfield] is getting it.

Nixon: There’s a Jewish cabal, you know, running through this, working with people like [Federal Reserve Chairman Arthur F.] Burns and the rest. And they all—they all only talk to Jews. Now, but there it is. But there’s the BLS staff. Now how the hell do you ever expect us to get anything from that staff, the raw data, let alone what the poor guys have to say [inaudible] that isn’t gonna be loaded against us? You understand?

Haldeman: Is Alex working on that?

Ehrlichman: Malek.

Nixon: Oh, Malek is. Oh.

Unidentified Person: [whispering] I’ll get this to you today.

Well, tricky Dick gets three points for using the word “cabal” correctly. Malek gets ten points for coordinating the anti-cabal effort then and now being the national finance co-chair of John McCain’s campaign. And I get fifteen points for holding in my vomit.

I know this is a relic — well, I’m 90% sure. But it never ceases to amaze me that smart people, people in power, had these entrenched ideas about Jews. Mr. Ben’s mother, my MIL I guess I should say if I can do so without fainting, recommended an excellent novel to me recently, Mary McCarthy’s The Group, a very realistic, detailed, absoring look at eight Vassar women who graduate in the early ’30s and go on to lead very different lives, mostly in New York City.

McCarthy presents the women’s opinions about everything from shacking up with men to Stalin vs. Trotsky to breastfeeding and toilet-training with a matter-of-factness that never betrays how she herself feels about a subject. Which is great, most of the time, and unsettling when every woman’s attitude about Jews ranges from distantly tolerant to politely hostile.

I don’t know why I was surprised. I remember how disappointed I was reading Virginia Woolf’s diaries — she *married* a Jew and yet couldn’t get over her genteel dislike of the people as a whole. I know how powered by anti-semitism the America First movement of the early war years was, and how Roosevelt’s hands essentially were tied by it. And yet. I always expect better from this country — or maybe it’s more honest, if scandalous, to say, from educated people. Ugh & ugh again.

On the brighter side of things, Mr. Ben and I are going to the Vendy Awards tomorrow, a fantastic only-in-NYC kind of event that he helped pioneer when he worked for the Street Vendor Project. Tickets are a little steep, but food is included, and the experience (I hear) is not to be missed. Come support street food! I didn’t know how much I loved it til I got to Japan and it was (almost) nowhere to be found.

the shoals of the NYT

This NYT article about how Jane Austen looked is both dumb and a complete misreading of her texts. The author — a, you guessed it, MAN — bumbles around for a bit at the beginning, talking about Austen must not have been pretty and how that’s a problem. He goes off the cliff at the end:

We’ve watched them so often that we think we really do know what Austen’s people looked like, and the men — the good ones, anyway — are all hunks and the women are all adorable, with just a hint of gingham-gowned sexiness. That their creator might not be part of this club seems unfair. We can accept that Austen might have been a Cinderella — underappreciated, with an elusive beauty of character and intellect that maybe took a little getting used to — but the dreary spinster of the Cassandra sketch isn’t anyone we recognize.

That’s WRONG. I don’t need to have taken an Austen seminar to know that. Pride and Prejudice makes a big deal out of the fact that Elizabeth Bennett isn’t beautiful, “not half so handsome as Jane,” the family stunner. Her sister Mary is not considered worth describing; Lydia is merely cute, mostly a flirt; and Kitty is a follower.

As for the men! Bingley, to be sure, is described as “wonderfully handsome” and Darcy as having “handsome features” and “noble” bearing. But it could be argued that the whole damn point of the book is that appearances aren’t objective. As soon as the crowd discovers Darcy has more money than Bingley, they declare him far better looking. Yet he’s still an ass.

Here’s the famous passage dear Mr. McGrath should have consulted before blithely going on his Week in Review way:

“Come, Darcy,” said he, “I must have you dance. I hate to see you standing about by yourself in this stupid manner. You had much better dance.”

“I certainly shall not. You know how I detest it, unless I am particularly acquainted with my partner. At such an assembly as this, it would be insupportable. Your sisters are engaged, and there is not another woman in the room whom it would not be a punishment to me to stand up with.”

“I would not be so fastidious as you are,” cried Bingley, “for a kingdom! Upon my honour I never met with so many pleasant girls in my life, as I have this evening; and there are several of them, you see, uncommonly pretty.”

“You are dancing with the only handsome girl in the room,” said Mr. Darcy, looking at the eldest Miss Bennet.

“Oh! she is the most beautiful creature I ever beheld! But there is one of her sisters sitting down just behind you, who is very pretty, and I dare say very agreeable. Do let me ask my partner to introduce you.”

“Which do you mean?” and turning round, he looked for a moment at Elizabeth, till catching her eye, he withdrew his own and coldly said, “She is tolerable; but not handsome enough to tempt me; and I am in no humour at present to give consequence to young ladies who are slighted by other men. You had better return to your partner and enjoy her smiles, for you are wasting your time with me.”

Very pretty, very agreeable, says the nice guy; tolerable, retorts the more fastidious. By the end of the book, of course, Darcy has remarked that that “tolerable” woman has grown on him. Voici:

“I remember, when we first knew her in Hertfordshire, how amazed we all were to find that she was a reputed beauty; and I particularly recollect your saying one night, after they had been dining at Netherfield, “She a beauty! — I should as soon call her mother a wit.” But afterwards she seemed to improve on you, and I believe you thought her rather pretty at one time.”

“Yes,” replied Darcy, who could contain himself no longer, “but that was only when I first knew her, for it is many months since I have considered her as one of the handsomest women of my acquaintance.”

Ooh, snap! (I love that scene.)

In Sense and Sensibility, all three Dashwood daughters are at least relatively good looking, it is assumed, but in Austen’s descriptions of them at the beginning, their appearances aren’t even mentioned. Marianne, the more romantic daughter, of course falls for a dashing and ultimately worthless Willoughby. Later, following more sober counsel, she ends up with the good-hearted but old, plain Colonel Brandon. Elinor, by contrast, wiser to begin with, falls for the good-hearted and not sparkling Edward Ferrars. Here is how he is described:

Edward Ferrars was not recommended to their good opinion by any peculiar graces of person or address. He was not handsome, and his manners required intimacy to make them pleasing. He was too diffident to do justice to himself; but when his natural shyness was overcome, his behaviour gave every indication of an open, affectionate heart. His understanding was good, and his education had given it solid improvement.

Now, does that say hunk to you? No. Willoughby is the hunk and he turns out to be a paper doll of a man.

On the basis of this evidence, I suggest to you, Jane Austen did not like hunks, nor did she entirely trust beauty. She understood, as many of us have come to (and as my brother will, eventually,) that the hottest girls are very often the bat-shit crazy ones and that the hunks are often arrogant fools. To judge a woman, an author, by such shallow measures — calling her “plain,” “homely,” even “dreary” (!) — and saying that that must disappoint her readers — is insulting in its shallowness to her AND us.

Maybe if Austen had been a beauty queen, she would have been married at 15 and never written a word. Would that be better for anyone? Maybe if Fran Lebowitz, Roseanne Barr, Margaret Cho, Eddie Izzard, and Woody Allen had been captains of sports teams instead of social outsiders who were no doubt made fun of as children, they wouldn’t have needed to cultivate the talent that has made them such priceless entertainers. If I do believe in a God, it’s one who has consciously given us, fair or not, people who range from hideous to Lohan, and all for a reason: nerdy types (to disappear into labs and invent things), malcontents (who forge revolutions), the weird (who write poems) and the wacky (who paint). And the Simpsons and Spears for the schadenfreude.

In P&P, what recommends Bingley ultimately isn’t his face, it’s his character, and what recommends Darcy ultimately is that he’s willing to admit he was wrong, that a person can learn to see a kind of beauty — whether entirely inner or merely subtle — they originally overlooked. I would like to hear that Mr. McGrath has learned a similar lesson. But since he seems to be very much a product of our Good = Beauty, Bad = Ugly society with its starkly mistaken and unsubtle ideas of what makes women worthwhile, I’m not holding my breath.