Category Archives: mizoginy

How to Look Pretty

I am the beautiful reflection / Of my love's affection ...

The Gray Lady has been full of useful advice for the ladies the past couple of weeks! Here are some of her thoughtful suggestions:

Feeding tubes for brides. Looking to fit into that too-small wedding dress in a too-short amount of time? Why not go the Terri Schiavo route? Members of Congress might not judge you brain dead but I certainly might.

Get your husband to sponsor your waxing and obscenely-expensive footwear.

Take multiple exercise classes per day.  Take so many, in fact, that you have no time for men and totally lose sight of why you’re trying to get thin in the first place: “Ms. Greisman, who is single, said she often forfeits other social events for her workouts — ‘the gym is where my friends are,’ she said — and does not make plans on Saturday apart from three of her favorite classes, which run from 11:45 a.m. to nearly 5 p.m. Dating, she mused, ‘would be challenging.'”

* Last but not least, corsets! “Getting the look requires some grit. Tugging on a faja can become a desperate bout of woman versus fabric. Flesh must be coaxed inside, battened down by hooks and, finally, sealed with a zipper that can force the air out of your lungs. ‘The first day you can’t stand it,’ Ms. Murillo said. ‘But then it loosens it up.'”

A Closer Look at “Mommy Porn”

Currently, Fifty Shades of Grey—an Australian e-book by an unknown female author with no marketing budget—is fourth on USA Today’s Best-Selling Books list, behind only the “Hunger Games” trilogy. Grey’s two sequels, Fifty Shades Darker and Fifty Shades Free, have also climbed into the Top 20. And panic is gripping the nation, because these books, which are being enjoyed by The Ladies, are about The Sex.

In the past few weeks, several news pieces have addressed the issue of women getting off on these books and what that means. “Will Fifty Shades Of Grey Make ‘Mommy Porn’ The Next Big Thing?” asks Forbes.Fifty Shades of Grey has America’s national thong in a twist,” declares USA Today, adding, “However you categorize it—mommy porn, erotic fiction, Twilight fan fiction gone rogue, a symbol of moral decay—British writer E.L. James’ NC-17 bondage trilogy has gone from e-book cult favorite to publishing phenomenon.” Everyone from so-called “mommy bloggers” to hardcore feminists is hailing the tome as a triumph for women, in spite of the book’s strong themes of female submission at the hands of a high-powered man,” says FoxNews.com. The article also goes on to use the now-inescapable phrase “mommy porn.”

Captain Obvious would point out that there is no such thing as “daddy porn,” presumably because dads remain men, even after procreating. Once they give birth, women apparently morph into “mommies,” neutered creatures who may be venerated but don’t need to be taken seriously. Hence their easily-dismissed “mommy blogs” and now their “mommy porn.”

The phrase, even more than the phenomenon of married ladies reading smut on their Kindles, raises all sorts of interesting questions about how women’s sexuality is viewed by society at large. By modifying the highly-charged word “porn,” are we diminishing its power because we remain deeply uncomfortable with the idea of even adult, married women having erotic needs? According to the breathless news coverage, the answer seems to be, “Kind of, yeah!”

There is a long and storied history of women reading to build up, and blow off, steam. I first learned that “romance” was merely a polite literary euphemism for “porn” when, on a sleepover in sixth grade, a friend showed me her secret stash of paperback Harlequins, over which we stayed up for hours, wide-eyed and red-faced. In seventh grade, I found out that “historical fiction” could be another, more high-brow mask for “porn” when I stumbled on Jean M. Auel’s Earth Children series. (Plot synopsis: pre-historic hottie Ayla, raised among Neanderthals, meets sensitive Cromagnon Jondalar. Pausing only to invent throwing spears, awls, and probably an early version of the iPad, Ayla hanky-panks with Jonadalar across early Europe.) Auel’s books have sold over 45 million copies worldwide. Harlequin is one of the most profitable publishing companies anywhere; according to the New York Times, they make hundreds of millions of dollars in sales every year.

That sex sells, even to women, should not, in 2012, come as a surprise. Yet something about this publishing phenomenon seems to have gotten under our culture’s skin. What’s different about Fifty Shades of Grey? It’s kinky.

The sex in Harlequin romances tends to be extremely tame. The rugged, beefy, All-American men bursting out of their shirts on the covers of the paperbacks telegraph to the reader all she or he needs to know about what’s going to happen in the bedroom (or on the grass, or aboard the pirate ship): straight-up, classical seduction. Jondalar, who is, coincidentally, described to look like a dead-ringer for Fabio, never expresses a desire more risqué than giving Ayla pleasure. Even Sex and the City, which expanded our society’s understanding of women’s ability to both enjoy, and speak freely, about sex, portrayed women who were pretty traditional in terms of what turned them on. No main character had a hidden fetish or a desire to dominate or be dominated. In Grey, a young woman signs a contract giving an older man control over her life. The readers in Grey’s universe are not in the Kansas of Harlequin novels anymore, or even the sanitized New York City of SATC; they’ve crossed over into the darker, edgier world of the 2002 indie/cult-favorite Secretary. Except that, for the first time, their support has helped something marginal cross over into the mainstream.

Grey’s success has communicated to the news media that some women’s taste runs to BDSM and power play—enough women, in fact, to get the attention of the Gray Lady herself. To some degree, this is old news. Buffy the Vampire Slayer and Twilight, both bona fide phenomena, spawned reams of fan fiction by drawing on similar themes (especially Buffy’s Season 6, which you can hardly watch without overheating); the original draft of Grey was, in fact, Twilight fan fiction. The Girl with the Dragon Tattoo series leans heavily on explicit sex scenes that are anything but square. And for power play, it’s hard to beat the unorthodox use of cigars in the Starr Report, now fifteen years old. Ultimately, the BDSM buzz around Grey seems like a red herring. What shocks the media is not that women are paying to read about a naïve college student submitting to a relative stranger; it’s that women—even adult, married women with children—are jonesing to read about sex at all.

As a society, we tend to ignore Harlequin’s massive success, or treat it as some kind of anomaly; and we seem more comfortable with the long-running joke that Porn for Women is men doing housework than the idea that women also like their raunch, including material that’s less-vanilla and more Karamel Sutra. Porn is porn! Lots of people consume it and, as with sexism, we know it when we see it. Most importantly, moms don’t hang up their gonads after their kids are born; they remain sexual beings. Ye gods! Where do you think babies continue to come from? If you really don’t know, I have a book or two I could recommend.

ETA: This piece also appears on the Huffington Post! Read it here

“Oh, loverboy!”

This is not a good time to be asking people for money and, um, that’s my job. Earlier this week, a woman flat-out laughed at me. I imagined her with a scotch in one hand and a gun in the other.

So I think it’s a good week to do things other than work. Like think about the fantastic Dirty Dancing, which I just saw for the first time in a theater as part of a Jezebel / Abortion Access Fund event. The screenwriter-producer Eleanor Bergstein came to encourage us all to take risks, as people and as artists, and, when we put controversial events in our commercial movies, to make them impossible to remove.

“I’m so sorry,” Lipman told the acne cream company that was willing to sponsor Dirty Dancing, as long as the illegal abortion — which, in the film, has near-tragic repercussions — was removed. “It’s the linchpin of the story. Nothing would make any sense if it were removed.” The acne cream bowed out, the film was released regardless, and it became an international success.

“Always make it the linchpin,” she instructed us. “That way you can’t cave to pressure even if part of you wants to out of fear.”

Fun facts about Dirty Dancing:

* Like Wet Hot American Summer, this is a movie about Jews that never explicitly says it’s about Jews.

* During filming, the seasons changed, so the crew had to spray-paint the leaves on the trees green.

* Jennifer Grey was 27 during filming and Patrick Swayze was 35.

* The crawling-on-the-floor dance scene was improvised

* Sarah Jessica Parker and Val Kilmer were considered for the lead roles

* It won an Oscar (Best Song)

* There are like 15 plotlines going on. That’s pretty ambitious for a movie about school kids on vacation with their family.

* Some folks don’t like this movie. (I know, right?)

* I didn’t see it all the way through until I was 27 myself because my proto-feminist high school self caught a glimpse of it on TV and was insulted by the fact that the main female character was called “Baby.” Little did I realize that that was intentional — that the film was about the infantilization of women. Her liberal, well-meaning parents named her Frances after the first woman in the cabinet but then called her Baby! What could be a better example of the mixed messages affluent white girls received in the mid-20th century? Go to college but then marry some Ivy Leaguer and be content raising his children. Read and think, but not too much or no one will want you. And so on.

* Of course, the movie is also about class, back-alley abortions, and how people in 1963 would look if they had 1980s hair and dressed like they were on their way to a Jane Fonda aerobics class. (See above re: plotlines.)

It’s too bad Eleanor Bergstein didn’t write more movies because this one really is near perfect for what it is. Why would anyone try to remake it? What could they possibly add?

Gallup is Perplexed. Let Me Help.

It’s not clear why Americans would overwhelmingly prefer boys.”

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It’s not clear why? BECAUSE THIS IS A PATRIARCHY, you twits. Land of the free! Home of the brave! Here we worship winners, cowboys, soldiers, tough guys, Don Draper and Tony Soprano, John Wayne and Gary Cooper. We hate femininity. We hate it so much we stamp it out in boys wherever it pops up.

Here men head the household because of some misguided Catholic/Christian notion that that’s the way God wants it. (The way he wanted it several thousand years ago, anyway, when last he bothered to weigh in.) Here be Mormons.

Why wouldn’t you want a child more likely to earn more, to be judged by something other than looks, to be able to have a child himself eventually — on his schedule, no pressure — and let someone else deal with the drudgery of raising it (and cleaning up after it)?

Yes, being a real man is expensive, and it certainly can be stressful and time-consuming. It’s still better than the alternative.

Some of my best friends are ladies and good lord, even *I* want to be reincarnated as a Dutch or Scandinavian man.

The Thinking Woman’s Guide to Time Travel

A new piece of mine is up on ThoughtCatalog: “The Thinking Woman’s Guide to Time Travel,” which offers some really useful advice. (“Bring condoms!”)

It occurs to me that it would be fun to put together a collection of these, called “The Thinking Woman’s Guide to Everything: Practical Advice for Improbable Situations.” Like:

— Staging a coup

— Running for President

— Running a country

— Winning a Nobel prize

— Space travel

All ideas welcome.

More feminism, she cried!

Have you read “Ask an Abortion Provider” on the Hairpin yet? This is for serious, and it is seriously amazing. Why did the author choose this path? “I figured the most direct way to ensure that there wasn’t a total asshole at the bottom of the table was to do it myself,” sayeth she. And she goes on:

I was with the doctor I train with doing the initial steps of an intake — an ultrasound to date the pregnancy and a full history.The patient says to the doctor, “I should not be here today. I agree with the people out there.” Gestures out window to street. The people at the bus stop???? “The people who are protesting. I think what you are doing is wrong. I think you should be killed.” Oh. Whoaaaa! …

So I told my patient what I truly believe, which is: “I’m so sorry that you feel that way because feeling that way has got to make this an even harder decision than it already is. I imagine it must really feel awful to think that you have to do something that goes against your own beliefs.” (Secret inspiration: my own feelings about the situation!)

“I know there is no way you’re going to go home feeling you did the absolute right thing no matter what happens today. We are not going to do any procedure until you are absolutely certain that this is what you want. I do not want you to have an abortion. The only that I want you to do is the thing that is most right for you, whether it’s continuing this pregnancy and becoming a parent, or adoption, or abortion.” Then we brought her with her boyfriend to the counselor who talked with them for hours about the spectrum of resources available for not just abortion but adoption and parenting. At my clinic, we joke that we turn away more patients than the protesters do.

And although she did end up terminating the pregnancy, the procedure went well, there were no complications, and she told the staff we had been the “most supportive!” I personally thanked her and told her it was an honor to be there for her and still get teary when I think about it. Ice burn, Lila Rose!

On Saturday I rallied for women’s health and Planned Parenthood and I was moderately proud of myself in a “Good girl! Look what you did instead of lolling on the couch watching old episodes of Buffy and eating packs of Trader Joe’s roasted seaweed” kind of way.

Reading this piece makes me think about soldiers. I didn’t grow up around military people and yet, when I met a Marine on New Years Eve in New Orleans, I knew exactly what to say: “Thank you for your service.” I rely on the men and women who join the Armed Forces to protect my freedoms. However you may feel about the Military Industrial Complex, you have to respect the individuals who commit to spending a year at a time in dusty, desert-y, Middle Eastern countries away from their families and friends and Netflix and Trader Joe’s, and much closer to death than we, in general, are.

But the men and women who choose to become abortion providers, and the fine folks at Planned Parenthood who support them, are protecting me too, and without anywhere near the same kind of societal recognition. Because I know that those doctors are there, I don’t have to choose between having a romantic life and a professional one. Because they are there, I can work — at my office, 9-5, as well as on my writing — and take that work, and myself, seriously. Because they are there, I don’t have to just be a woman; I can be a person too. They give me that freedom.

So thank you to everyone at Planned Parenthood who were so kind to me when I went in, twice, while unemployed, because I didn’t know where else I could afford health care. Thanks to those of you who stand at the ready in case I need you for other reasons, and who have helped the women I know who needed you. Thank you, Gail Collins, for urging me to think about all these issues as I read When Everything Changed. And thank you, Dolores P., for your service, which, in so many ways, makes everything possible.

Maiden America: Virgins in Film, 2010

True Grit and Black Swan have, superficially, not much in common. One is a blackly humorous Western where men shoot at each other, and at cornbread, with little provocation. The other is a ballet melodrama of the old school where most of the violence is self-inflicted.

One is literary & masterful; the other is (almost) camp.

One is funny; the other is — well, also funny. Certainly it makes its critics hilarious.

I enjoyed both to varying degrees but I recently realized that they do have a very interesting theme in common. They’re about virgins. What are virgins capable of? Can they be taken seriously, by men, as avengers? How about as artists?

In True Grit the two main male characters, played beautifully by Matt Damon and Jeff Bridges, don’t know what to make of Mattie, the 14-year-old heroine who comes to them for help in tracking down her father’s killer. She’s too old to be a child and yet she’s not fuckable either — she’s called ugly at one point, and she wears her father’s over-sized clothes. Her in-between status unsettles them. Matt Damon’s character, the blustering Texas ranger, tries to solve the problem one way or the other: he turns her over and spanks her. She refuses to react like a child. Though humiliated, she refuses to cry, and by continuing to act like an adult — albeit an unfuckable one — she earns the respect of both men.

In Black Swan, which is much sillier and more over-the-top, the question seems to be, Can a virgin make art? Does a woman need to be sexually experienced to portray depth of emotion on stage? This is funny to me since I consider ballet to be profoundly unsexy, but here it’s a real dilemma. Nina (Natalie Portman’s character) is hemmed in on one side by a mother who infantilizes her and on the other side by a creepy French ballet teacher who sticks his tongue down her throat and tells her to touch herself, or she won’t be able to dance the starring role.

Once you start looking for virgins in 2010, you see them everywhere. The teenage daughters in The Kids Are All Right and Please Give (two of my favorite movies of the year so far) both gave earnest, moving performances; the teenage daughter in, and heroine of, Winter’s Bone, another of my favorites, was the raw force that propelled that film forward to its resolution, which is almost unwatchable, except you can’t look away. There was no vanity in any of those performances, or in those of Hailee Steinfeld or Natalie Portman. And that is pretty impressive.

More impressive: Their virtue isn’t introduced only to be overthrown, in the manner of American Pie or similar. You could argue, in a way, that — SPOILER ALERT! — Nina even dies to preserve hers. The sexuality of these young women isn’t the focus of any of the films; largely, in fact, it’s incidental, which is no small feat in Hollywood. Only Nina is really the subject of the male gaze, and it kind of — SPOILER ALERT AGAIN! — kills her. Through penetration, of course. The Freudians probably have been having a field day with that movie.

Fun with Dick-Heads and Janes!

One of my coworkers, a fellow who is afraid of vegetables and took years to work up the courage to get a Legend of Zelda tattoo, likes to send me retro sexist imagery from the internets. This is partly because I’ve established myself as the Feminist of the office (I can’t imagine how that happened). Despite my being card-carrying and all that, the Collective Leadership of the Feminist Cabal allowed me to retain my sense of humor. Each of these makes me giggle.

Two are from that Great Things repository, Boing Boing, and the last comes from the very ether.


Also, I have now been to L.A. and I’m adding it to my ever-growing list of Mediocre American Cities, right behind Tucson and Atlanta. Seriously, what the hell is the point of a “city” that’s really an over-priced network of neighborhoods where parking costs a thousand dollars, gas costs even more, and the buildings are only one story high? I did like the ocean, though I only saw it from a distance since the foul weather (srsly!) kept us from the beach.

Though Seattle is kind of similar, being short, modern, and pretty spread out, at least it’s verdant and pretty and has a more mellow vibe. There’s something girl-next-door-ish about Seattle, whereas LA is that sorority-girl-next-door, and Tucson is that vacant-frat-boy-next-door. And Atlanta is the suit-next-door who doesn’t give Halloween candy to trick or treaters.

Anyway, vacations are always nice and it was good to see my family & the folks I know who are stranded on that coast. Mr. Ben suggested, brilliantly, that we visit the UCB Theater out there, and Asssssssssscat, featuring Tim Meadows, was awesome. I liked its West Hollywood digs, too, as much as I liked anything I saw besides the Getty and the Getty villa. General warning, though, for anyone who wants to follow in our footsteps: you cannot buy tickets at the box office itself so make sure you do so on the ‘nets before you leave home. If you run into issues, like we did, the coffee shop on the corner, across from the Scientology Castle, has free wireless. You’re welcome.