“Waaaaaaaaalllll-E.” “Eeeeeeeeeeeeeevuh.” That is what is going on inside my head, a constant loop of one adorable robot voice speaking to another adorable robot voice. If I could get a guarantee that my kids would be as cute as those little Pixar creations, I would have them. (That’s one consideration not addressed by this otherwise thoughtful NYT magazine article about why Europeans won’t breed. I mean, seriously, reproduction is a risk. What if your kids have terrible taste, or grow up to be barbaric, vote-rigging, African dictators instead of awesome neurologists?)
Without giving too much away, because you should really see the movie yourself and be surprised / delighted, Wall-E is essentially one long much more artistically-impressive Mac vs. PC commercial. One that makes clear that the future belongs to Macintosh. Also to females, maybe, for some reason. Do you think that’s because Eve, the sleek, more advanced, little i-pod of a robot, needed to be female for the story to make sense, or because, like the hipsters & artists who love them, Macs are inherently feminine?
Putting aside the question of how something with no genitals or reproductive capability could be sexed at all, it was nice to see a non-princess female character in a starring role in an animated movie. A non-princess, non-love-interest character would be even more impressive. I can only think of a handful in the Pixar/Disney canon, and the standout is probably Dory in Finding Nemo, a movie also written by Wall-E auteur Andrew Stanton. Also the fabulous Edna in the Incredibles, which is still my favorite Pixar flick (or “Pick“). Interestingly — not that I’m drawing conclusions — Dory is voiced by a famous lesbian and Edna by a man.
The little girl sitting next to me at the sold-out Friday night showing I went to had lots of questions for her mother, including the one that’s functioning as the title of this post. It was also pretty cute, although less cute than robot kissing. But, then, isn’t everything?