revision. please tell me what you think (better? do you miss something?)

the love song of t. stearns eliot

T.S. Eliot (what did his friends call him?)

loose within the gilded cage

of Harvard, age 19, produced

his best. Without tax forms to file or a split-

level home, Eliot (how did his fellow

snobs know him?) penned Prufrock, a love song, and

my favorite poem.

Decades later, he embraced

the Catholic faith to such a frowny-faced degree

that he chased his chaste and nervous wife

out of the country, across the sea, to an asylum

(she�d decay in pine for him, her coffin

set above the ground)

and buried himself in Ezra Pound.

I prefer Prufrock — old, bemused,

peering at the life he missed. Only, characters

don�t exist, except that the artist

and the art are fused

Genius leans in and

I can�t resist:

a patient on a table, I am kissed

by someone I abhor — the tryst so good that, Doctor,

I want more

and which is worse:

seeming to endorse you by confessing I adore

some of your adolescent brilliance � or

leaving the fanfare and the accolades for critics who,

like mermaids, sing them, each to each, relishing

the high notes I can�t reach? — I wonder

if you�d like me.

I�m the age you were, but far less surly

I giggle more, I�m vaguely girly;

and though I�ll admit that you were wiser,

I�m not a Nazi sympathizer.

still, I�m sure we could agree

we�ve hit the nadir with Fox TV; we could share

a table, raise a glass to a culture gone ersatz; pun

through a series of tea-timed chats; and if we felt

particularly free of the claims of identity

you and I could hit the town:

� me in sunglasses, you in spats �

buy ourselves tickets and laugh through Cats

at least til conscience wakes us, and we drown

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